IS THIS NOISE OR MUSIC?
After John Cage introduced his series of prepared piano pieces, which involved placing various objects on the piano strings to create unique sounds, he not only revolutionized the musical landscape but also earned accolades and recognition for pushing the boundaries of musical art.
While John Cage stands out as a prominent figure in exploring an instrument's limitless possibilities, it's important to note that he wasn't the pioneer nor the final voice in this endeavor.
As a guitarist immersed in contemporary and experimental music, we frequently encounter the challenge of expanding our instrument's sonic horizons. This involves delving into unknown territory through the use of effects, unconventional techniques, and even employing objects and percussive techniques to manipulate the guitar. Such explorations are essential for pushing the boundaries of musical expression.
Interestingly, when observing young children encountering a guitar for the first time, their fascination often centers around the instrument's resonating wooden body rather than its strings. They instinctively recognize its potential as a captivating percussive instrument, underscoring the guitar's capacity to produce rich, tambourine-like tones. This observation made me think a lot about the myriad of sounds that can be produced with the instrument.
In this workshop, we will embark on a journey through both conventional and less conventional extended guitar techniques. We will listen to excerpts from compositions that employ these innovative methods and we will look at how we can notate these techniques effectively on sheet music. But don’t worry, we will also embark on hands-on experimentation with these techniques on our guitars. By doing so, you can become a master of “noises” on the guitar and why not, maybe you will write a piece for prepared guitar next…
Bring your guitar, your enthusiasm, and your favorite coin (NZ $2 has a lovely serrated edge)!
While John Cage stands out as a prominent figure in exploring an instrument's limitless possibilities, it's important to note that he wasn't the pioneer nor the final voice in this endeavor.
As a guitarist immersed in contemporary and experimental music, we frequently encounter the challenge of expanding our instrument's sonic horizons. This involves delving into unknown territory through the use of effects, unconventional techniques, and even employing objects and percussive techniques to manipulate the guitar. Such explorations are essential for pushing the boundaries of musical expression.
Interestingly, when observing young children encountering a guitar for the first time, their fascination often centers around the instrument's resonating wooden body rather than its strings. They instinctively recognize its potential as a captivating percussive instrument, underscoring the guitar's capacity to produce rich, tambourine-like tones. This observation made me think a lot about the myriad of sounds that can be produced with the instrument.
In this workshop, we will embark on a journey through both conventional and less conventional extended guitar techniques. We will listen to excerpts from compositions that employ these innovative methods and we will look at how we can notate these techniques effectively on sheet music. But don’t worry, we will also embark on hands-on experimentation with these techniques on our guitars. By doing so, you can become a master of “noises” on the guitar and why not, maybe you will write a piece for prepared guitar next…
Bring your guitar, your enthusiasm, and your favorite coin (NZ $2 has a lovely serrated edge)!